Approach to the inmost cave examples7/4/2023 ![]() ![]() (The cheap and easy – and therefore somewhat cliched – way to do this is to have the villain or his minions massacre everyone the hero’s ever known). The second path is that the hero may grow up happily among their people, but something happens to brutally sever them from their home. This is almost universally unpleasant, with the hero forced to live in a menial or degrading position, such as a servant, squire, or in the cupboard under the stairs. First, the hero can grow up separated from their family and kin. If the story mentions the hero’s childhood, there are two general paths it can take.It might be as small as the hero wanting a toy they can’t afford, or as large as surviving in a post-apocalyptic wasteland. This ordinary world must suffer from some sort of deficiency. When starting a hero’s journey, we need to establish what the hero’s life was like before they set off on their adventure.The hero, by contrast, comes from obscurity to disrupt the status quo. Related to the point above, the villain is often well-established in the corrupt world the hero seeks to overturn.Depending on the story, this theme can be implemented with greater or lesser literality. A classic pattern is for the infant hero to be exiled from their home, then triumphantly return to vanquish the villain.This is not to say that self-made heroes don’t exist, just that they’re far less common than heroes that were born a little better than everyone else. This might be a birthright, hidden power, or simply great talent in a given field. The hero usually has some sort of inborn advantage over ordinary people.If this is the case in our story, we need to make sure the audience understands and believes in what the hero is trying to revive. Luke Skywalker seeks the return of the Jedi and the Republic, not to establish his own order and government. ![]()
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